“It is remarkable how strongly Trina’s work embodies our contemporary moment in the language of speaking truth to power,” said Laband Art Gallery director Karen Rapp. “Her work is aesthetically complex in that she draws from and even exalts the church’s own iconography and imagery while simultaneously proposing a sharp institutional critique.”
The exhibition’s centerpiece, “Bless Me Child for I Have Sinned (2010-18),” is an intricately crafted installation of a confessional—a life-size, transparent structure made of glass, fine metals and marble. As the title suggests, McKillen reverses the role between confessor and confessant; instead of the priest sitting and hearing confession, he must kneel down and ask forgiveness from the child.
In another installation, “The Children (2015-2018),” the artist makes a statement about seemingly invisible crimes against young people, and stories of abuse that have been kept hidden, with an immersive display of dozens of vintage First Communion dresses and altar boy vestments.
“While the artist confronts a painful and troubling reality within the Church, our hope is that this exhibition will open the door to discussion and deep reflection,” said John T. Sebastian, LMU vice president for mission and ministry. “As a Catholic institution in the Jesuit and Marymount traditions, LMU places an emphasis on care for the individual person, the pursuit of justice, and alleviating the suffering of the poor and the marginalized. Exposing the sins of the Church, and ensuring that victims’ stories get told, are consistent with our mission and necessary steps in the healing process.”
“Confess: An Installation by Trina McKillen” is presented by the Laband Art Gallery, in partnership with the Irish Studies Program in LMU’s Bellarmine College of Liberal Arts, and the Dean’s Office in the College of Communication and Fine Arts.
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